9th edition 2024

ITALIAN FICTION WINNER 2024

Carmen Pellegrino

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Dove la luce, La Nave di Teseo

Rome, April 1987. Milo is a man who has lost everything because of others, deeply devoted to death—whom he invokes daily but lacks the courage to bring upon himself—and forced to live on the streets. Federico Caffè is "the Professor," a figure shrouded in questions destined never to be answered. The first is (perhaps) a fictional character, the second a real man, a key figure in the political and economic debates of the 1980s and a firm advocate of the need to ensure high levels of employment and social protection for the most vulnerable. His sudden disappearance remains an unsolved mystery, and his encounter with Milo is yet another enigma.
Postiglione, February 2023. A narrator carries the memory of her family, retracing the struggles and joys of the debt of love we owe to our roots. The lives of Milo and the Professor thus enter the story of a woman, a village, and an entire generation in struggle, torn between hatred and longing for a time that, perhaps, will never return.
Carmen Pellegrino presents a magical novel, a dizzying descent into the memory of places and the people who inhabited them, uncovering the hidden and infinite life that resides within. A free spirit wandering through gardens and souls, never losing its way.
Carmen Pellegrino / Read Bio
ITALIAN NON FICTION WINNER 2024

Carlo Vecce

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Il sorriso di Caterina La madre di Leonardo, Giunti Editore

An unknown document sheds light on the extraordinary life of a woman completely forgotten by history: a Circassian girl, born in the wild highlands of the Caucasus, enslaved and sold multiple times in Constantinople, Venice, and finally Florence, where she is freed by the man who loved her, with whom she had a wonderful child named Leonardo. This is the incredible and moving story of Caterina, Leonardo da Vinci's mother, which Carlo Vecce has reconstructed in The Smile of Caterina. The Smile is a choral narrative of the Mediterranean and the Renaissance, at the origins of the modern world, experimenting with new and original forms of literary writing, suspended between historical nonfiction and storytelling, meticulous documentation, and imagination. Above all, it is an inspiring journey in search of Caterina, in her most authentically human dimension.
Carlo Vecce / Read Bio
AMERICAN FICTION WINNER 2024

Aaron Hamburger

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Hotel Cuba , Harper Perennials (HarperCollins Publisher)

Fleeing the chaos of World War I and the terror of the Soviet Revolution, practical, sensible Pearl Kahn and her lovestruck, impulsive younger sibling Frieda sail for America to join their sister in New York. But when discriminatory new immigration laws bar their entry, the young women head for Prohibition-era Havana, Cuba, convinced they will find a way to overcome this setback. A heartbreaking, epic family story, Hotel Cuba explores the profound courage of two women displaced from their home who strive to create a new future in an enticing and dangerous world far different from anything they have ever known.
Aaron Hamburger / Read Bio
AMERICAN NON FICTION WINNER 2024

Millicent Marcus

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Italian Film in the Present Tense, University of Toronto Press

For observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their formal brilliance and their ethical urgency, the book presents a series of fourteen case studies, featuring analyses of such renowned films as Il Divo, Gomorrah, The Great Beauty, We Have a Pope, The Mafia Only Kills in the Summer, and Fire at Sea, along with lesser known works deserving of critical scrutiny. In doing so, Italian Film in the Present Tense contests the widely held perception of a medium languishing in its “post-Fellini” moment, and instead acknowledges the ethical persistence and forward-looking currents of Italian cinema in the present tense.
Millicent Marcus / Read Bio
2024 EDITION

The 20 candidates

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Italian Fiction

  • Annalena Benini, Annalena - Einaudi
  • Morena Pedriali Errani, Prima che chiudiate gli occhi - GiulioPerrone Editore
  • Marco Lodoli - Tanto poco - Einaudi
  • Carmen Pellegrino, Dove la luce - La Nave di Teseo
  • Paolo  Valoppi, Mio padre avrà la vita eterna ma mia madre nonci crede - Feltrinelli
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Italian Non Fiction

  • Giorgio Fontana, Giorgio Fontana, Kafka. Un mondo di verità - Sellerio
  • Tommaso Giartosio, Autobiogrammatica - Minimum Fax
  • Sara Marzullo, Sad Girl - La ragazza come teoria - 66thand2nd
  • Alessandra Sarchi, Vive! - HarperCollins Italia
  • Carlo Vecce, Il sorriso di Caterina. La madre di Leonardo - Giunti Editore
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American Fiction

  • AARON HAMBURGER, Hotel Cuba, Harper Perennials (HarperCollins Publisher)
  • JONATHAN ROSEN, The Best Minds, Penguin - Allen Lane
  • KIMBERLY KING PARSONS, We were the Universe, Knopf
  • SHANNON SANDERS, Company: Stories, Graywolf
  • TYRIEK WHITE, We Are A Haunting, Astra House.
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American Non Fiction

  • JESSICA GOETHALS, Margherita Costa, Diva of the Baroque Court, University of Toronto Press
  • MILLICENT MARCUS, Italian Film in the Present Tense, University of Toronto Press
  • ROSEEN GILES, Monteverdi and the Marvelous: Poetry, Sound and Representation, Cambridge University Press
  • SAMANTHA KELLY, Translating Faith: Ethiopian Pilgrims in Renaissance Rome, Harvard University Press
  • ZEKE FAUX, Number Go Up: Inside Crypto's Wild Rise and Staggering Fall, Bloomsbury